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school: THE UNQUESTIONED ANSWER
ritual/listening session
13th Organ Vida Festival
29/09/2024
Pogon Jedinstvo
Trnjanska struga 34, Zagreb


Curators: Barbara Gregov, Lovro Japundžić, Lea Vene 
Curatorial associate: Ana Škegro
Curatorial assistant: Ivana Završki
Design: Alma Šavar
Public relations: Inesa Antić
Photographers: 925 Studio, Samir Cerić Kovačević, Luka Pešun
Translation: Tihana Bertek
Hospitality: Tena Kovačić
Press and public relations: Inesa Antić

Main festival partner: Museum of Contemporary Art Zagreb

Festival partners: Pogon – Zagreb Center for Independent Culture and Youth, FUTURES

Supported by: Creative Europe Programme, Ministry of Culture of the Republic of Croatia, City of Zagreb, Zagreb Tourist Board, Kultura Nova Foundation, Austrian Cultural Forum, French Institute in Croatia, TelepART, Ministry of Culture and National Heritage of Poland / Adam Mickiewicz Institute

Acknowledgments: Studio B-nula, Uramljivanje slika Ramasutra, Print studio Anula
With another long durational session consisting of DJ sets played by multiple local and international music lovers, school continues to celebrate the musical production of womxn, from the early beginnings until now. One could also say: from the mystical and liturgical chants of the medieval nun Hildegard von Bingen to Meadow Le´ Elle’s operatic punk tracks, produced on iPhone. Being a ritual rather than a party, we point out blanks in the history of musical production, bring rarely heard voices to the foreground and thereby create solid moments that neutralize current affairs and enhance our living reality.


TAKE YOUR TIME / TUNE IN / LISTEN ATTENTIVELY


You only have to look at Medusa straight on to see her. And she’s not deadly. She’s beautiful and she’s laughing.
(Hélène Cixous)

with

Andrea Lumplecker (school)
Yasmina Haddad (school)
ABC b2b shoggoth II
Babilonska
Ivna Franić

❖ is the second piece of CDII from THE EXPANDING UNIVERSE, an album produced for Bell Labs by Laurie Spiegel in 1974


school
is a space and collective founded by Yasmina Haddad and Andrea Lumplecker in 2011. The school’s main series focuses on the screening as a frame, and defines a specific realm within selected artistic positions that employ performative strategies, often using sound to relate to (political) realities.