Madeleine Andersson
alternative historisations and speculative structures to expose and disrupt the psycho-social
dimensions of knowledge production. Her multidisciplinary work across video, sculpture and
performance blends together academic discourse, scientific instruments, pseudo-scientific
excitement, social media and horror films in playful installations. This allows her to
investigate the intersection of science and pop culture; their self-experimentation, quest of
inner truth and struggle with perversion.
Andersson has previously exhibited at venues including Billedkunstnerne i Oslo (2026),
Klaipėda Biennial (2025); Kunsthall Trondheim (2025); Index – The Swedish Contemporary
Art Foundation, Stockholm (2025); documenta institute, Kassel (2024); O–Overgaden,
Copenhagen (2024); Färgfabriken, Stockholm (2023) and Galerie 35m2, Prague (2023).